| Detached's
commitment to the recognition of the diverse nature and forms of
contemporary art is expressed through an innovative and flexible
"project" imperative.
Detached Projects support new work and collaborative
ventures by artists,
curators, writers and other industry professionals.
Detached is proud to support new work by Anne Ferran
exhibited in:
Anne
Ferran: the ground, the air
12 December 2008 - 22 February 2009
Tasmanian Museum & Art Gallery, Galleries 1-4
This is the
first major Tasmanian exhibition of the work of Australian artist Anne
Ferran. Incorporating photo media, video and installation, The ground,
the air sees Ferran draw upon Tasmanian sites and archives to explore
how the past
haunts the present.
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New TMAG
Exhibition Reveals Tasmania’s Convict Past<
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A new art exhibition that takes an insightful
look into Tasmania’s convict past opens at the Tasmanian Museum and Art
Gallery today.
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The ground, the air is an
exhibition by highly regarded Australian artist Anne
Ferran.
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It uses contemporary photo media techniques to
recall a vanished past and consider the gaps in knowledge of Australian
history from colonial times.
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Ferran’s particular focus is on the lives of
Tasmanian convict women and their children.
Curator of the exhibition, Craig Judd—former
senior curator of Art at TMAG—said this exhibition was particularly
important for Tasmania.
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“This exhibition has a particular resonance
for Tasmania. Many of the works document charged locations such as the
Female Factory or Houses of correction at Ross and South Hobart,” Mr
Judd said.
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“There is video, installation and photography
to make us think about just what we know and understand about our
history.
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“It’s been a pleasure working with the artist
on this exhibition—Anne Ferran is a philosopher and scholar as well as
an extraordinary artist,” he said.
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Ferran has created two new works, specific to
Tasmania, for the exhibition.
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One of the works is a collection of
photographs, silk screened onto aluminium panels, that makes use of
history sites and archives, to explore how the past haunts the
present.
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Director of the Tasmanian Museum and Art
Gallery, Bill Bleathman, said the exhibition was only possible due to a
partnership with the University of Tasmania.
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““This excellent exhibition is the third
in a collaboration between TMAG and the University of Tasmania,”
Mr Bleathman said.
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“It’s thoroughly researched and presents
Tasmanians with a different view of colonial times that is often
forgotten,” he said.
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